There is no point in combing through the director’s work for clues of ideological consequence. It is unessential: his ideology—Merxist, anti-imperialist, paralleled with the perceived interests of the powerless and the marginal—is the (i)_____ of his films. The clarity and force of that ideology are substantial, but its (ii)_____ sometimes disturbs critics, who often scorn the director for lacking (iii)_____.
答案：B,D,H